“All my life,” she said, “I have been told to ‘go’ and ‘come.’ I am told how I will live, and I am told how I must die. I must be a man’s servant and a mare for his pleasure, or I must hide myself behind walls and surrender my flesh to a cold, silent god. I would walk into the jaws of hell itself, if it were a path of my own choosing. I would rather die tomorrow in the forest than live a hundred years of the life appointed me.”
First of all, what a gorgeous, evocative book this was. Everything about it—from the cover to the writing to the entrancing main character—had me soaking up every word. As someone who is pretty sick of the YA/NA genre in general, this appeased me for a few reasons:
- We had a fantastic, strong, bold main character, Vasya, who is frequently described as ‘ugly’, although the way she commands herself and her presence is captivating to nearly everyone around her. She also refuses to accept her ‘lot in life’, aka being married off to a man, getting fat, and popping out a few kids, or alternatively going to a convent to live out her years as a quiet, docile virgin.
- Vasya doesn’t get all swoony over men. In fact, though there is some kissing and hinting, there’s really no romance in this book. *fist pump*
- Although I really don’t know anything about Russian culture (and I should probably change that), the lore and mythology in this book were fascinating and easy to understand for a noob like me.
Okay, now why only 3 stars? I was wondering that myself, because as I was reading the last few chapters I was thinking, “This is awesome. It’s well written. Vasya is authentic and I want to chill with her. So why do I kind of just want this book to end?”
I guess my problem was that a few things throughout the story were compounding and made the ending lackluster. Here are a few (spoilers below, obviously):
- A big subplot through the story is that Vasya’s father is given a necklace from the winter king to give to his daughter. Instead, Dunya, the nurse, keeps it to give to Vasya once she’s older. Dunya repeatedly has dreams where the winter king comes to her and, in a pretty threatening manner, demands that Vasya receive the necklace. Dunya begs him, a few times, to give her “one more year,” because Vasya is still just a girl. This all makes it sound as if the giving of the necklace will mean something terrible for Vasya, like the winter king is going to steal her or she’ll be sent on some dangerous mission or something. Well, the giving of the necklace happens finally, and … nothing happens. Maybe I’m missing something, but basically the necklace didn’t do anything or change anything in any way, since what was coming was coming not due to Konstantin’s meddling, not anything Vasya could prevent (even with the assistance of the necklace). The evil force in the book wasn’t deterred by the giving of the necklace, nor did the necklace protect Vasya from harm. Sometimes the necklace would burn like ice against her skin but I’m not sure what exactly that was supposed to … mean. Sure, it sounds cool (pun not intended, but I’ll roll with it), but overall the entire necklace subplot had no purpose other than keeping readers wondering what would happen once Vasya received it. And the answer is … nothing.
- At the battle in the end, Vasya calls on the household spirits to come and aid her fighting against Medved/the Bear/the one-eyed man. Then she realizes that’s kinda fruitless, since the household spirits are bound to their hearths and can’t leave. But then they arrive. Somehow. I kept waiting for there to be an explanation for this, but there wasn’t. Further, the spirits don’t even do anything in the battle other than look ragged, enforcing the idea that, if Vasya wins, her victory will have been again nearly unbeatable odds.
- I was ridiculously excited to see Vasya kick some evil spirit ass at the end of this book, because she was truly an awesome, strong character. I wanted to see her prove everyone wrong and save the village. But in the end, who does the saving? Her father. UGH. Her father, who was away on some journey to help out a village that had burned down (and this didn’t factor into the plot at all), comes back in the nick of time, barrels into the fight, and gives up his life to save his daughter, which apparently binds the Bear from doing any more harm. Think Lily Potter binding Voldemort with her love for Harry. So yeah, viola, fight scene is over, father is dead, evil force is vanquished, etc. This would’ve been sad because her father was a kind character, except it happened so fast and was so completely random that I barely had time to process it. Adding insult to injury is the fact that we didn’t get to see Vasya beat the odds. Instead, a man saved her. This annoyed the crap out me, because I LOVED this line that Vasya said right before the fight:
“To the oak-tree. To the Bear’s clearing,” said Vasya. “As fast as you can run.” (…)
Solovey put his head up, a stallions scenting battle. But he said, You cannot do it alone. (…)
“Cannot?” said Vasya. “I will do it. Hurry.”
What a BAMF! Alas, her BAMFness was foiled by a middle aged man.
- Konstantin, the priest who is basically bringing about all of this evilness by making the villagers afraid (that is what the Bear feeds on), is tossed from the story at the end in almost a throwaway scene: Vasya and the winter king go to his room, and the winter king stands behind her menacingly, projecting himself like a flame-eyed skull, and Vasya basically tells the priest to get lost, which he does. This happens right after Vasya is supposed to be mourning her father’s death, and instead the scene came off as comical—they walked out of the room laughing. I feel like this was included because there was no other way to wrap up Konstantin’s plotline.
Overall, the book had so many loose ends that I can’t even count them all. As I was writing this, more and more kept popping into my head. The gorgeous writing honestly made up for a lot of what it lacked in plot, but in the end I didn’t feel connected to anyone in the story but Vasya, none of the deaths affected me, and the climax/battle scene was a let down.
Still, I encourage you to read this if you’re looking for a beautifully written book with a strong main character. On both of those fronts, The Bear and the Nightingale is gold.
ARC received through Barnes & Noble. The Bear and the Nightingale goes on sale January 17, 2017.